On the edit page, as the editor, you are expected to be able to manage that and that means throwing things out sync when maybe you don't want to. If you're new to nonlinear editing this can be very, very confusing, and that's one of the advantages of the cut page is how it, under the hood, keeps video and audio synced together. So what I'm going to do is right click on the red box, on the video track and I'm going to choose "move others into place". In fact let's go ahead and take another track and move it out of sync in the other direction, see what happens, it's the red box on the video tracks like "Hey I've got clips moving in all sorts of different directions!" We want these out of sync clips to get put back in place in sync with the video track. Now I like the position of where this video clip is, and I want to move the audio track out of sync. If I zoom into the timeline, using Command + plus (+), or Control + plus (+) on a PC, this red box is a warning, telling me I'm out of sync. If I nudge left or right, I lose sync between that track and it's linked tracks. I'll select another shot with linked audio tracks, notice how only the specific track is selected. But if I come up here and click on this link icon, so that it dims down, I've turned off linking.
Moving one linked item moves every linked item. That means if I select an audio track, all linked tracks get selected. But here on the edit page, keeping synced sound? That's completely on you. One of the things about the cut page is that it nests the synced audio from your clips, making it almost impossible to lose audio sync with video. Whoa! Same timeline, definitely a different view. As I switch to the edit page I want you to keep your eye on the lower half of the interface, it's the timeline. Let's again reset the UI using our saved layout preset, created in an earlier movie, so that we're both looking at the same interface. If you want to follow along with me, feel free to import the DRP0401editpagestart. We're picking up where we left off in our previous movie. The edit page is designed for detailed control. They're both optimized for editing, but the cut page is basically more user friendly. The actual timeline is precisely the same on both pages, they just present the same material differently. In this movie, we'll look at how that page is laid out in more detail, but the first thing I want to you to notice is the relationship between the cut page and the edit page, and here's the big take away - what's the only difference? It's the user interface. Now it's time to turn our attention to the edit page.
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